Being more rhythmically driven, palm-mute tremolos and staple metalcore downbeat notes are the leading factor in what makes this. Evident in the pacing of “The Wicked One”, it should be noted that this is a precursor for what’s to come. Moving on, we start to encroach onto a heavier Black Veil Brides. However, drummer Christian Coma does a bang-on job holding the groove down and elevating everyone else up. Throughout, there is no real star as all parts create great cohesion in collaboration. Starting off, it makes great use of creating atmosphere through synth and rhythmically entrancing percussions. Contextually, “Torch” is a well done example. Now heading in to the middle of the album, this is the perfect moment to showcase its softer side before heading into the back half. Creating an elegant transition, it heads into the fourth single released in “Torch”. This track being only 1:15 long does not stop it from being impactful, bringing in heavy reverberation through its double bass and beautifully strung violins. As with most interludes, it exudes extremely symphonic and orchestral vibes. In typical Black Veil Brides fashion, it takes us into an interlude through “Spectre”. Another track that emulates classic Black Veil Brides. Throughout the entirety of the track, both guitars manage to echo each other in different layers, creating wonderful harmony. Although it is musically similar, it takes note in a higher degree to the usage of dual guitar melodies. Overall, this song will take us in a similar direction as its former. They nail the goal of simplicity done right in this track.Īfterwards, the album will lead us into “Blackbird”. Featuring a simple and beautifully done solo, it is melodically enticing. Utilizing heavy overdrive and slow paced riffs, Biersack is heavily thrown into the foreground. Assisting in driving Andy Biersack‘s vocals, the instrumentals do a stellar job steering the track in the appropriate direction. In contrast to its predecessor, there is a more atmospheric approach here. Black Veil Brides have shown they’ve refined the genre in this track displaying catchy beats, big choruses, and an entrancing solo – this is a staple of who they are as a band.įollowing up is a segue into “Born Again”. Being the first single to be released off the album, it was a wise decision to place it at the front. Delving into arpeggiated violin sweeps and blaring organs and horns layered underneath, it makes for a smooth transition into “Scarlet Cross”.
In typical Black Veil Brides fashion, it is an anthemic and orchestral opener. Opening up the album and setting the stage for what is to come is title track “The Phantom Tomorrow”. Still, when you listen through and dissect everything piece by piece, it’s an undisputable fact: this is Black Veil Brides, and they are back.
In a 12-track album consisting of 4 singles, there is a sense of growth and maturity that is apparent throughout. With the delay of The Phantom Tomorrow set from June 4th to October 29th, it’s safe to say that it was well worth the wait. It has been quite some time since we’ve seen anything of note come from Black Veil Brides.
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